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29 Aralık 2010 Çarşamba

***Javier Bardem Interview BIUTIFUL ***Gwyneth Paltrow to Play Marlene Dietrich in Two-Part TV Movie? ***SUNDANCE 2011: First Images from THE DEVIL’S DOUBLE Starring Dominic Cooper and LIFE IN A DAY, the World’s Largest User-Generated Feature-Film

Gwyneth Paltrow to Play Marlene Dietrich in Two-Part TV Movie?

by Talia Soghomonian    Posted: December 27th, 2010

Gwyneth Paltrow is rumored to be kicking off the New Year as “The Blue Angel”, Marlene Dietrich. She is reportedly set to portray the legendary German actress and chanteuse in a two-part TV movie produced by Luc Besson’s newly-acquired EuropaCorp TV.
The project was initiated by the BBC and HBO and is based on Marlene Dietrich, the biography written by Dietrich’s daughter and closest confidante, Maria Riva, according to French magazine Télé 2 Semaines. More details after the jump.
marlene-dietrich-01Adapted by Emmy Award-winning screenwriter Andrew Davies (Bridget Jones’ Diary), Marlene will recount the major turning points in Dietrich’s career, from her early days on the Berlin stage to her collaborations with director Josef Von Sternberg (The Blue Angel, 1930, was her most famous movie) and her subsequent Hollywood success.
From the 1950s until 1975, Dietrich launched a career as a cabaret artist, performing in major cities worldwide. No doubt Paltrow, who has been collecting singing roles lately, will be stretching her vocal cords in the movie as well. After appearing in Glee earlier this year and starring in Country Strong, she is also rumored to join the cast of Rock of Ages.
The name of the actor who will be playing Jean Gabin, the French actor who was also Dietrich’s lover – some say her greatest love — has not yet been revealed, but it apparently is a major French star. (Guillaume Canet, perhaps?)
It is also not clear whether the darker parts of Dietrich’s life will be detailed. While she was notoriously private about her off-screen life, it was also well-known that in her later years she was plagued with problems involving painkiller and alcohol abuse. She spent the last 11 years of her life mostly bedridden in her Parisian apartment until her death in 1992.
Her final on-camera appearance was a cameo role in Just a Gigolo (1979), directed by David Hemmings and starring David Bowie. In 1982, when Maximilian Schell was filming the Academy Award-nominated documentary Marlene, she only allowed her voice to be recorded.
In Paris, she is still referred to as “L’Ange Bleu” (The Blue Angel). Watch the trailer of the movie that made her famous:

SUNDANCE 2011: First Images from THE DEVIL’S DOUBLE Starring Dominic Cooper and LIFE IN A DAY, the World’s Largest User-Generated Feature-Film

by Adam Chitwood    Posted: December 27th, 2010

Continuing our coverage of films that will be featured at the Sundance film festival in January, today we bring you two films that will premiere in the out-of-competition category at the prestigious festival: The Devil’s Double and Life in a Day. The Devil’s Double stars Dominic Cooper, Ludivine Sagnier, Mimoun Oaissa, Raad Rawi, and Phillip Quast. The film provides a chilling vision of the House of Saddam, told through the eyes of the man who knew too much.
Director Kevin MacDonald’s Life in a Day is a historical worldwide experiment to create the world’s largest user generated film. The flick was created by numerous user-generated YouTube videos that professional and amateur filmmakers made to capture a glimpse of their life in a single day. Hit the jump to check out images and a brief synopsis for both films, which will be playing out-of-competition.  The 2011 Sundance Film Festival runs from January 20 -30th.
(Director: Lee Tamahori; Screenwriter: Michael Thomas) – An extraordinary chapter in recent history providing a chilling vision of the House of Saddam comes to life through the eyes of the man who knew too much. Cast: Dominic Cooper, Ludivine Sagnier, Mimoun Oaissa, Raad Rawi, Philip Quast.


Javier Bardem Interview BIUTIFUL

by Christina Radish    Posted: December 27th, 2010

In the drama Biutiful, actor Javier Bardem gives a complex, conflicted and multi-layered performance as Uxbal, a man on a tragic journey to reconcile the love for his children with the criminal underworld he has gotten caught up in. In Barcelona, his livelihood is earned by less than savory means, but when he is faced with his own mortality, he set out to find redemption and seeks solace in the sacrifices he is willing to make for the ones he loves.
At the film’s press day, Bardem talked about playing a role with such emotional intensity, working so closely with filmmaker Alejandro González Iñárritu (read an interview with Inarritu here), how being an actor enables him to see the world with different eyes, and how he prefers to play multi-layers characters. Check out what he had to say after the jump:
Question: What was it that really attracted you to Uxbal and made you want to play him?
JAVIER BARDEM: Many things. I’m a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor’s director, based on the performances that I saw in his movies. But, more important than that, because I’m not the kind of actor that gets crazy with names, what draws me toward a project is the material itself. This script was beautifully written by him and the character was very complex. There were so many layers to convey that I knew it was going to be a hard task and a rewarding one.
How did you establish this complex character?
BARDEM: On this movie, Alejandro and I were holding each other’s hands and we climbed the highest mountain that we’ve ever climbed. For him, it was new to have only one actor, for five months. And for me, it was new to have a character like this, for five months. So, we really had to back each other and be aware that it was going to be a very intense journey, but a rewarding one, creatively speaking. The themes we were talking about are important. We knew that. That’s where the whole focus was. It was worth it, to make this journey, and we survived.
After this amazing performance, has it made you see life differently?
BARDEM: The good thing about being an actor, and the gift of being an actor, is that you are beautifully forced to see the world with different eyes. Death, for Uxbal, is not the same for someone else. For Uxbal, it’s a wake-up call for him to realize and re-evaluate his life. You cannot get attached to what that character feels about some issues. You have to pull yourself away and be him, but you know that you are being somebody else who’s not you. It never changed my idea of death, but we all understand things intellectually. We hear the news, we read the papers, we see people from the street and we understand the world, but the actor has the obligation to experience it. It’s very lucky for me to have had the chance to be in that place and pretend that. In pretending, I was able to be there, for real. It’s not that I know how it feels, but I know that experience in a very emotional way. That’s different from knowing it intellectually.
For a film with this level of emotional intensity, how do you maintain that over a shoot that’s five months long?
BARDEM: I don’t know how you do it. I just did it, but I don’t know how to do it.
Did it help that this film was done chronologically?
BARDEM: Yeah, that helped a lot. Otherwise, it would have been too crazy to be able to go through that journey randomly. That was one of the great luxuries of this shoot. I also had the whole crew with me. Everybody was on the journey together.
What was it like to work with Maricel Álvarez, who played Marambra?
BARDEM: She’s an actress, but it was the first time that she’d done a movie. She was very nervous, but she did a great job. She’s the opposite of her character. She’s very clear and rational and healthy, mentally, emotionally and physically. And then, they would call action and she would turn into this monster. It was great. Good actors are good actors, wherever they are. It doesn’t matter if it’s TV, theater, the circus or movies. I had the chance to work with some of the best actors in this film. The relationship is based on pain and passion. All of these extreme situations cannot sustain a relationship. It’s like a Greek tragedy. This person has to overcome a very strong circumstance to find grace, compassion, forgiveness and love.
What do you think about the themes that Alejandro is presenting with this film?
BARDEM: We are speaking a different language here. This is not a movie that’s so easy to translate. It’s not an easy movie to say, “It’s about this, and then you take home this other thing.” It’s more deep than that. You have to see it and really have the courage to make the journey. If you take the journey, you’re going to bring back with you a lot of good things. But, if I name them, that will downsize the journey itself.
How was Alejandro, as a director?
BARDEM: He’s one of the greatest directors of all time, with the way he films and the way he puts together the filming. You have to have talent to film and also to put it together. He’s also an actor’s director. You can tear apart your heart in pieces, but if the camera is not in the right place, it doesn’t matter. He knows where to put the camera. He knows how to hold the silence. He knows how to put the music in the right place. He knows how to cut and how to work the cut. All of that helps you to put the best performance out there. That’s how good he is. When you’re working with the best, it helps you to be good because then you are focusing on what you have to do, instead of where the camera is. We were all on the same page.
Did you approach this character by seeing the good and bad in him?
BARDEM: I saw him as a human being. I don’t believe in stereotypes. Most of the time, stereotypes are just that. But, the world is different. We are doing right and wrong, at least 20 times per day. As an actor, you can’t judge. A great actress from Spain said, “We, the actors, are lawyers of the characters we play. We have to defend them, no matter what.”
What do you think it says about Uxbal that he’s surrounded by all these unreliable people?
BARDEM: Uxbal didn’t have any choice. Many people out there don’t have a choice, in choosing their friends and the people they’re being manipulated by. Thank god, I have that choice. I can use my judgement and choose. He couldn’t because that was the people he was dealing with.
How would you feel, if you got nominated for an Oscar for this role?
BARDEM: It’s great fun. It’s a great honor. It’s something that you never dream of. And then, it happens and you are there, and you try to share it with all the people that are so meaningful to you, but you don’t have the time, so you have to choose which people. But, they understand. They’re your people because they understand.
What did you learn about acting from your mother?
BARDEM: She’s 71 years old now, and she’s been acting since she was 15, so I learned a lot of things from her. I learned that you can’t buy either the gold or the failure because none of them are truth.
How do you pick your characters?
BARDEM: I don’t know. It happens. You feel driven to it. You’re like, “Okay, this is interesting.” But, it’s less about playing one-sided people and more about playing multi-layered people. That’s what the world is about. I did No Country For Old Men, which was a one-sided person, but I did it because it was the Coen brothers in a film from Cormac McCarthy’s book, and I knew I was going to be protected and safe. But, even though I knew I had to play a one-colored kind of guy, he was full of many other things that could not be seen, but had to be felt.
Would you like to work with the Coen brothers again?
BARDEM: I would love to. I had great fun with them. I hated them, but had great fun. They did that awful haircut on me. Everybody thought it was a wig, but it was my hair.
When are you going to do Glee?
BARDEM: I don’t know. I talked to (show creator) Ryan [Murphy] and he seems to be very excited about the idea, but that was a long time ago. I don’t know anything, I swear.
Are you ready to sing?
BARDEM: I don’t know. I have to read something first.
BIUTIFUL opens in limited release on December 29th and nationwide January 28th

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